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Korday Cannes Film Awards interview

Cannes Film Awards has published an in-depth interview with French-Hungarian film director, producer and screenwriter Peter Korday, co-founder and CEO of Paris-based Gold Wood Pictures.

The interview offers a closer look at Korday’s creative approach, his transition from theatre to cinema, and the artistic philosophy behind his feature film Soft Floating in the Fields of Spheres.

Living and working in Paris, Peter Korday has developed a cinematic language rooted in European auteur cinema while pursuing an increasingly personal visual and narrative identity. In the Cannes Film Awards interview, he reflects on the importance of preserving an authentic creative voice in contemporary filmmaking and on his preference for developing his own cinematic language rather than following current trends.

Soft Floating in the Fields of Spheres

In the conversation, Korday discusses his debut feature film Soft Floating in the Fields of Spheres.

The 61-minute psychological drama follows Rebecca, a ceramic artist, on an inner journey through four interconnected timelines, gradually revealing connections between reality, memory, fantasy and fear.

Rather than following a conventional linear structure, the film moves between different layers of perception and consciousness. Its visual language, music and intimate approach to performance are central to the storytelling.

Speaking about the production, Korday describes the deliberately small and closely connected crew with which the film was created. Some scenes were filmed with only the director, lead actress and cinematographer present, allowing the production to maintain a particularly intimate atmosphere around the performance.

The film stars Kristina Lorent in the role of Rebecca. Her performance required a highly internal approach, reflecting the film’s shifting emotional and perceptual realities.

Since its world premiere at the International Film Festival The Hague in November 2025, Soft Floating in the Fields of Spheres has continued its international festival journey and received recognition across several countries. The Hague festival presented the film as a world premiere and described it as a journey through past, present and imagined futures. (IFFH)

From Theatre to Film

The Cannes Film Awards interview also explores Peter Korday’s earlier career in theatre and the path that eventually led him toward filmmaking.

Korday explains that becoming a film director was not originally part of a predetermined career plan. His initial move into cinema grew from a desire to explore subtler forms of expression than those available within the theatrical space.

Film gradually became a way to expand his directorial vocabulary — particularly through close visual detail, silence, rhythm and the ability to communicate internal emotional states without necessarily expressing them through dialogue.

His years working as a theatre director in Los Angeles also form part of this artistic background. That experience continues to influence his approach to actors, atmosphere and performance, while his filmmaking increasingly moves toward a distinct visual language of its own.

An Independent Cinematic Voice

Discussing contemporary filmmaking, Korday highlights the opportunities that technological change has created for independent filmmakers, particularly the possibility of producing films outside traditional structures and reaching international audiences.

At the same time, he emphasizes the importance of maintaining artistic individuality in an increasingly fast-moving, content-driven environment.

This philosophy is also central to the work of Gold Wood Pictures, whose projects combine independent production with a strong emphasis on visual authorship, performance and internationally oriented cinema.

Looking ahead, Peter Korday confirms in the interview that further projects are already in development, including a psychological drama, a comedy and another short-form production.

The complete conversation offers a more personal insight into his approach to directing, filmmaking and the continuing development of his cinematic language.

Read the full Peter Korday interview on Cannes Film Awards:
https://cannesfilmawards.com/interviews/peter-korday

Gold Wood Pictures is delighted to announce that Soft Floating in the Fields of Spheres has received five awards at the Roshani International Film Festival 2026 in India, marking another significant milestone in the international festival journey of the French feature film.

The film was recognized across directing, acting and multiple film categories, reflecting the different artistic dimensions of the production and its distinctive approach to contemporary independent cinema.

The five awards are:

Best Feature Film
Best Experimental Film
Best Drama Film
Best Actress – Outstanding Achievement — Kristina Lorent
Best Male Director — Peter Korday

Five awards for Soft Floating in the Fields of Spheres

The recognition at the Roshani International Film Festival 2026 represents an important international achievement for Soft Floating in the Fields of Spheres, a French psychological drama written and directed by Peter Korday and produced by Gold Wood Pictures, Paris.

The film stars Kristina Lorent in the central role, carrying a story built around memory, identity, emotional perception and the fluidity of time. Its cinematic language combines psychological drama with experimental visual storytelling, creating a film that moves between different layers of reality and consciousness.

The five awards recognize several aspects of the project. Alongside the Best Feature Film, Best Experimental Film and Best Drama Film awards, Kristina Lorent received the Best Actress – Outstanding Achievement Award, while Peter Korday was honored with Best Male Director.

For Gold Wood Pictures, the result represents recognition not only of the film itself, but also of the creative collaboration behind it.

Kristina Lorent receives Best Actress – Outstanding Achievement

At the centre of Soft Floating in the Fields of Spheres is the performance of Kristina Lorent, whose portrayal is built around emotional restraint, intensity and subtle psychological transformation.

The Best Actress – Outstanding Achievement Award acknowledges a performance that carries much of the film’s emotional and visual structure. Rather than relying on conventional dramatic exposition, the character is developed through gesture, silence, movement, memory and shifting emotional states.

This approach is closely connected to the film’s broader visual language, in which performance, cinematography, sound and rhythm become part of the same cinematic experience.

Peter Korday wins Best Male Director

Director Peter Korday received the Best Male Director Award for his work on the film.

His direction places particular emphasis on atmosphere, visual composition, silence and musical rhythm. Instead of following a strictly conventional narrative structure, the film unfolds through different temporal and psychological layers, allowing the audience to experience the story through emotion and association.

The award recognizes a directorial approach rooted in European arthouse cinema while developing a distinct visual identity of its own.

International recognition for the film

The success at the Roshani International Film Festival adds another chapter to the international journey of Soft Floating in the Fields of Spheres.

Since beginning its festival circulation, the film has continued to attract attention for its combination of psychological drama, experimental filmmaking and visual storytelling.

Receiving awards in three different film categories — Feature Film, Experimental Film and Drama Film — also reflects the hybrid nature of the project. Rather than fitting into a single genre, the film moves between narrative cinema, psychological exploration and a more poetic, image-driven form of filmmaking.

For Gold Wood Pictures, this international recognition reinforces the company’s commitment to producing independent films with a strong artistic identity and a distinctive cinematic language.

A milestone for Gold Wood Pictures

The five awards represent a particularly meaningful moment for the creative team behind the film.

Gold Wood Pictures would like to thank the Roshani International Film Festival, its jury and festival team for recognizing the film, its performances and the artistic work behind the production.

The recognition of Kristina Lorent, Peter Korday and Soft Floating in the Fields of Spheres across five categories marks another important step in the film’s continuing international festival journey.

Produced by Gold Wood Pictures, Paris.

Source: Read the original article here.

PETER KORDAY IN CONVERSATION WITH KLG ÉLORÉ

Film director, producer and Gold Wood Pictures CEO Peter Korday is featured in the first issue of KLG ÉLORÉ in an in-depth conversation exploring his directorial philosophy, visual storytelling and independent creative path. The interview offers a closer look at the ideas that shape his work and at the artistic principles behind a cinematic language built around image, rhythm, atmosphere and emotional precision.

Rather than approaching filmmaking only through dialogue or conventional narrative structure, Korday speaks about cinema as a visual and sensory experience. For him, an image can carry meaning before a character says a single word, while music, silence, movement and composition can shape the emotional architecture of a scene. This approach places visual storytelling at the centre of his work and reflects a broader interest in creating films that are experienced as much as they are understood.

A central theme of the conversation is creative independence. Korday discusses the importance of developing an individual artistic language instead of following established formulas or attempting to reproduce what has already succeeded elsewhere. His perspective on directing is closely connected to authorship: the filmmaker must build a coherent world, make clear aesthetic choices and trust the audience to enter that world without being over-directed.

This philosophy is captured in one of the key statements from the interview:

“My goal as a film director is not to serve the audience, but to lead them.”

The quote reflects his belief that cinema should not simply respond to expectation, but create a distinct point of view. For Korday, leading the audience does not mean controlling every interpretation. It means creating a strong enough cinematic language for the viewer to follow emotionally, while still leaving room for ambiguity, imagination and personal response.

The interview also explores the relationship between cinema and music, a connection that has long influenced Korday’s approach to directing. Rhythm, pacing and silence can function almost musically, shaping tension and emotional movement without relying on explanation. A pause, a change in tempo or a carefully placed musical element can alter the meaning of an image and create an experience that remains with the viewer beyond the immediate narrative.

Another important part of the conversation is the intersection of cinema, fashion and visual identity. Costume, texture, silhouette and styling are considered not as decorative additions, but as part of character and storytelling. In this sense, fashion and film share a common visual vocabulary: both can express identity, atmosphere, transformation and memory through image.

This makes KLG ÉLORÉ a natural setting for the conversation, bringing together cinema, fashion, photography and contemporary visual culture within one editorial space. The interview moves freely between these disciplines while remaining focused on the question of how a filmmaker develops and protects an individual artistic identity.

Korday also reflects on the value of restraint. Rather than explaining every detail, he is interested in allowing images to retain mystery and emotional openness. This creates space for the audience to participate in the film, to connect associations and to respond intuitively.

Such an approach is especially significant within independent and auteur cinema, where personal vision and formal freedom often play a central role. The conversation highlights the importance of trusting visual storytelling and allowing cinema to communicate through mood, composition and emotional rhythm rather than through explanation alone.

The interview also touches on the creative direction behind Gold Wood Pictures, the Paris-based production company connected to Korday’s filmmaking work. The company’s creative identity reflects many of the same principles discussed in the interview: visual authorship, artistic independence, cinematic identity and a commitment to developing projects with a strong and recognizable point of view.

Ultimately, Peter Korday’s conversation with KLG ÉLORÉ is not simply a profile of a filmmaker. It is a reflection on cinema as an art form and on the responsibility of a director to protect an individual creative voice.

The interview reveals how image, sound, fashion, rhythm and silence can become parts of the same artistic language, while offering insight into the ideas that continue to shape Peter Korday’s work as a film director and producer.

Read the full interview in KLG ÉLORÉ — Issue 01.

https://kristinagoztola.com/klg-elore

The Autumn Issue of KLG ÉLORÉ – Fashion Editorial, Autumn 2026 is officially LIVE!

Proud to see this artistic vision and international standard come to life. KLG ÉLORÉ presents a refined editorial world where fashion, cinema, visual storytelling and contemporary elegance meet in one carefully composed publication.

Created with a strong European sensibility and a distinctly cinematic point of view, the Autumn 2026 issue explores style not simply as clothing, but as atmosphere, character and artistic expression.

At the heart of KLG ÉLORÉ is a dialogue between Parisian elegance and the visual language of film. The editorial moves beyond the conventional fashion magazine format, using photography, composition, texture and narrative to create an experience that feels both modern and timeless. Each image suggests a story, a mood or a moment that continues beyond the frame.

The Autumn 2026 issue features Kristina Lorent and further develops the visual identity of KLG ÉLORÉ: sophisticated, feminine, international and cinematic. Fashion is approached as part of a broader cultural landscape, connected to cinema, art, performance and personal expression.

Rather than following trends for their own sake, the publication focuses on enduring style, strong visual character and the power of a memorable image.

This first Autumn Issue establishes the editorial direction of KLG ÉLORÉ through a balance of glamour, restraint and visual storytelling. Its pages are conceived as a curated journey rather than a simple sequence of fashion photographs. Editorial imagery, portraiture, personal reflection and cinematic references come together to create a publication with its own atmosphere and rhythm.

For Gold Wood Pictures, the project is especially meaningful because it reflects many of the same creative principles that shape our work in film: atmosphere, emotion, visual coherence and storytelling through detail.

Fashion and cinema have always shared a close relationship. A costume can define a character before a single line is spoken. A silhouette can suggest an era, a social world or an emotional state. Light, movement and texture can transform an image into something memorable.

KLG ÉLORÉ brings these ideas into the editorial space from a contemporary perspective.

The magazine also represents an independent creative approach. It is built around a clear artistic direction rather than a conventional commercial formula. This freedom allows the editorial to explore glamour without excess, luxury without noise and beauty without losing personality.

The visual language remains elegant but never static, polished yet still human.

Autumn provides a natural atmosphere for this issue. The season suggests transition, richer textures, depth and more introspective moods. That sensibility is reflected throughout the editorial, where fashion becomes part of a broader visual narrative.

The photographs invite the viewer to slow down, observe details and enter a world shaped by light, composition and emotion.

KLG ÉLORÉ is intended for readers interested not only in fashion, but also in cinema, photography, art direction and contemporary European culture. It speaks to those who appreciate distinctive visual identities and publications that treat editorial imagery as a form of storytelling.

For an international audience, the magazine offers a meeting point between Parisian sophistication, modern glamour and cinematic art.

The Autumn 2026 edition also marks an important step in the development of the KLG ÉLORÉ brand. It introduces a broader editorial universe in which fashion can naturally coexist with interviews, visual essays, art and film culture.

This interdisciplinary direction gives the publication room to grow while preserving a strong and recognizable identity.

Dive into a world where high fashion meets cinematic art.

Click the link to read the exclusive KLG ÉLORÉ Fashion Editorial – Autumn 2026:

https://kristinagoztola.com/klg-elore

KLG ÉLORÉ – Fashion Editorial, Autumn 2026
Featuring Kristina Lorent
Parisian elegance. Cinematic vision. Contemporary glamour.

We are overjoyed: the Paris-based Zeal International Film Festival has showered us with a true rain of awards! From the bottom of our hearts, thank you to the jury for these wonderful recognitions. 

Gold Award – Best Inspirational Film

Silver Award – Best Director – Peter Korday

Silver Award – Best Actress – Kristina Lorent

Silver Award – Best Experimental Film

Bronze Award – Best Drama

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Nous sommes immensément heureux : le Festival International du Film Zeal, basé à Paris, nous a comblés d’une véritable pluie de récompenses ! Un immense merci du fond du cœur au jury pour ces magnifiques distinctions. 

Prix d’Or  – Best Inspirational Film

Prix d’Argent  – Best Director – Peter Korday

Prix d’Argent  – Best Actress – Kristina Lorent 

Prix d’Argent  – Best Experimental Film

Prix de Bronze  – Best Drama

I am honored to share that Soft Floating in the Fields of Spheres has been selected for the Remember The Future – World Film Festival in Cannes.

Grateful to the festival for embracing this deeply personal work and for giving it a place among voices from around the world.

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Je suis honoré d’annoncer que Flottant légèrement dans les Champs des Sphères a été sélectionné par le Remember The Future World Film Festival à Cannes.

Je remercie chaleureusement le festival d’avoir accueilli cette œuvre profondément personnelle et de lui avoir offert une place parmi les voix cinématographiques venues du monde entier.

Namaste, India!

We are immensely happy to announce that the Asian premiere of Soft Floating in the Fields of Spheres will take place in New Delhi, India, at the Alliance Française de Delhi, on May 21st at 6:00 PM, as part of the Aravali International Film Festival.

India has always been the cradle of spirituality and deep thought – we cannot wait to present our film there.

“The film is anchored by the extraordinary performance of Kristina Lorent Goztola, a highly acclaimed international actress who delivers a tour de force as a soul drifting between consciousness and the void.”

The review is here: https://www.romeprismafilmawards.com/2026/03/12/soft-floating-in-the-fields-of-spheres-by-peter-korday/

In February 2026, Authority Magazine in Los Angeles published an in-depth interview with Kristina in their “Inspirational Women in Hollywood” series, focusing on her international creative work and her role in the film industry.

It can be read here.: https://medium.com/authority-magazine/inspirational-women-in-hollywood-how-kristina-lorent-goztola-of-gold-wood-pictures-is-helping-to-f25acdb4845e

Great news from the UK! Our film Soft floating in the Fields of Spheres has been Officially Selected for the Ramsgate International Film & TV Festival 2026. Honored to be part of this year’s lineup!

Excellente nouvelle du Royaume-Uni ! Notre film Flottant légèrement dans les Champs des Sphères a été officiellement sélectionné pour le Ramsgate International Film & TV Festival 2026. Honneur de faire partie de la programmation de cette année !