Gold Wood Pictures is delighted to announce that Soft Floating in the Fields of Spheres has received five awards at the Roshani International Film Festival 2026 in India, marking another significant milestone in the international festival journey of the French feature film.

The film was recognized across directing, acting and multiple film categories, reflecting the different artistic dimensions of the production and its distinctive approach to contemporary independent cinema.

The five awards are:

Best Feature Film
Best Experimental Film
Best Drama Film
Best Actress – Outstanding Achievement — Kristina Lorent
Best Male Director — Peter Korday

Five awards for Soft Floating in the Fields of Spheres

The recognition at the Roshani International Film Festival 2026 represents an important international achievement for Soft Floating in the Fields of Spheres, a French psychological drama written and directed by Peter Korday and produced by Gold Wood Pictures, Paris.

The film stars Kristina Lorent in the central role, carrying a story built around memory, identity, emotional perception and the fluidity of time. Its cinematic language combines psychological drama with experimental visual storytelling, creating a film that moves between different layers of reality and consciousness.

The five awards recognize several aspects of the project. Alongside the Best Feature Film, Best Experimental Film and Best Drama Film awards, Kristina Lorent received the Best Actress – Outstanding Achievement Award, while Peter Korday was honored with Best Male Director.

For Gold Wood Pictures, the result represents recognition not only of the film itself, but also of the creative collaboration behind it.

Kristina Lorent receives Best Actress – Outstanding Achievement

At the centre of Soft Floating in the Fields of Spheres is the performance of Kristina Lorent, whose portrayal is built around emotional restraint, intensity and subtle psychological transformation.

The Best Actress – Outstanding Achievement Award acknowledges a performance that carries much of the film’s emotional and visual structure. Rather than relying on conventional dramatic exposition, the character is developed through gesture, silence, movement, memory and shifting emotional states.

This approach is closely connected to the film’s broader visual language, in which performance, cinematography, sound and rhythm become part of the same cinematic experience.

Peter Korday wins Best Male Director

Director Peter Korday received the Best Male Director Award for his work on the film.

His direction places particular emphasis on atmosphere, visual composition, silence and musical rhythm. Instead of following a strictly conventional narrative structure, the film unfolds through different temporal and psychological layers, allowing the audience to experience the story through emotion and association.

The award recognizes a directorial approach rooted in European arthouse cinema while developing a distinct visual identity of its own.

International recognition for the film

The success at the Roshani International Film Festival adds another chapter to the international journey of Soft Floating in the Fields of Spheres.

Since beginning its festival circulation, the film has continued to attract attention for its combination of psychological drama, experimental filmmaking and visual storytelling.

Receiving awards in three different film categories — Feature Film, Experimental Film and Drama Film — also reflects the hybrid nature of the project. Rather than fitting into a single genre, the film moves between narrative cinema, psychological exploration and a more poetic, image-driven form of filmmaking.

For Gold Wood Pictures, this international recognition reinforces the company’s commitment to producing independent films with a strong artistic identity and a distinctive cinematic language.

A milestone for Gold Wood Pictures

The five awards represent a particularly meaningful moment for the creative team behind the film.

Gold Wood Pictures would like to thank the Roshani International Film Festival, its jury and festival team for recognizing the film, its performances and the artistic work behind the production.

The recognition of Kristina Lorent, Peter Korday and Soft Floating in the Fields of Spheres across five categories marks another important step in the film’s continuing international festival journey.

Produced by Gold Wood Pictures, Paris.

Source: Read the original article here.

PETER KORDAY IN CONVERSATION WITH KLG ÉLORÉ

Film director, producer and Gold Wood Pictures CEO Peter Korday is featured in the first issue of KLG ÉLORÉ in an in-depth conversation exploring his directorial philosophy, visual storytelling and independent creative path. The interview offers a closer look at the ideas that shape his work and at the artistic principles behind a cinematic language built around image, rhythm, atmosphere and emotional precision.

Rather than approaching filmmaking only through dialogue or conventional narrative structure, Korday speaks about cinema as a visual and sensory experience. For him, an image can carry meaning before a character says a single word, while music, silence, movement and composition can shape the emotional architecture of a scene. This approach places visual storytelling at the centre of his work and reflects a broader interest in creating films that are experienced as much as they are understood.

A central theme of the conversation is creative independence. Korday discusses the importance of developing an individual artistic language instead of following established formulas or attempting to reproduce what has already succeeded elsewhere. His perspective on directing is closely connected to authorship: the filmmaker must build a coherent world, make clear aesthetic choices and trust the audience to enter that world without being over-directed.

This philosophy is captured in one of the key statements from the interview:

“My goal as a film director is not to serve the audience, but to lead them.”

The quote reflects his belief that cinema should not simply respond to expectation, but create a distinct point of view. For Korday, leading the audience does not mean controlling every interpretation. It means creating a strong enough cinematic language for the viewer to follow emotionally, while still leaving room for ambiguity, imagination and personal response.

The interview also explores the relationship between cinema and music, a connection that has long influenced Korday’s approach to directing. Rhythm, pacing and silence can function almost musically, shaping tension and emotional movement without relying on explanation. A pause, a change in tempo or a carefully placed musical element can alter the meaning of an image and create an experience that remains with the viewer beyond the immediate narrative.

Another important part of the conversation is the intersection of cinema, fashion and visual identity. Costume, texture, silhouette and styling are considered not as decorative additions, but as part of character and storytelling. In this sense, fashion and film share a common visual vocabulary: both can express identity, atmosphere, transformation and memory through image.

This makes KLG ÉLORÉ a natural setting for the conversation, bringing together cinema, fashion, photography and contemporary visual culture within one editorial space. The interview moves freely between these disciplines while remaining focused on the question of how a filmmaker develops and protects an individual artistic identity.

Korday also reflects on the value of restraint. Rather than explaining every detail, he is interested in allowing images to retain mystery and emotional openness. This creates space for the audience to participate in the film, to connect associations and to respond intuitively.

Such an approach is especially significant within independent and auteur cinema, where personal vision and formal freedom often play a central role. The conversation highlights the importance of trusting visual storytelling and allowing cinema to communicate through mood, composition and emotional rhythm rather than through explanation alone.

The interview also touches on the creative direction behind Gold Wood Pictures, the Paris-based production company connected to Korday’s filmmaking work. The company’s creative identity reflects many of the same principles discussed in the interview: visual authorship, artistic independence, cinematic identity and a commitment to developing projects with a strong and recognizable point of view.

Ultimately, Peter Korday’s conversation with KLG ÉLORÉ is not simply a profile of a filmmaker. It is a reflection on cinema as an art form and on the responsibility of a director to protect an individual creative voice.

The interview reveals how image, sound, fashion, rhythm and silence can become parts of the same artistic language, while offering insight into the ideas that continue to shape Peter Korday’s work as a film director and producer.

Read the full interview in KLG ÉLORÉ — Issue 01.

https://kristinagoztola.com/klg-elore

The Autumn Issue of KLG ÉLORÉ – Fashion Editorial, Autumn 2026 is officially LIVE!

Proud to see this artistic vision and international standard come to life. KLG ÉLORÉ presents a refined editorial world where fashion, cinema, visual storytelling and contemporary elegance meet in one carefully composed publication.

Created with a strong European sensibility and a distinctly cinematic point of view, the Autumn 2026 issue explores style not simply as clothing, but as atmosphere, character and artistic expression.

At the heart of KLG ÉLORÉ is a dialogue between Parisian elegance and the visual language of film. The editorial moves beyond the conventional fashion magazine format, using photography, composition, texture and narrative to create an experience that feels both modern and timeless. Each image suggests a story, a mood or a moment that continues beyond the frame.

The Autumn 2026 issue features Kristina Lorent and further develops the visual identity of KLG ÉLORÉ: sophisticated, feminine, international and cinematic. Fashion is approached as part of a broader cultural landscape, connected to cinema, art, performance and personal expression.

Rather than following trends for their own sake, the publication focuses on enduring style, strong visual character and the power of a memorable image.

This first Autumn Issue establishes the editorial direction of KLG ÉLORÉ through a balance of glamour, restraint and visual storytelling. Its pages are conceived as a curated journey rather than a simple sequence of fashion photographs. Editorial imagery, portraiture, personal reflection and cinematic references come together to create a publication with its own atmosphere and rhythm.

For Gold Wood Pictures, the project is especially meaningful because it reflects many of the same creative principles that shape our work in film: atmosphere, emotion, visual coherence and storytelling through detail.

Fashion and cinema have always shared a close relationship. A costume can define a character before a single line is spoken. A silhouette can suggest an era, a social world or an emotional state. Light, movement and texture can transform an image into something memorable.

KLG ÉLORÉ brings these ideas into the editorial space from a contemporary perspective.

The magazine also represents an independent creative approach. It is built around a clear artistic direction rather than a conventional commercial formula. This freedom allows the editorial to explore glamour without excess, luxury without noise and beauty without losing personality.

The visual language remains elegant but never static, polished yet still human.

Autumn provides a natural atmosphere for this issue. The season suggests transition, richer textures, depth and more introspective moods. That sensibility is reflected throughout the editorial, where fashion becomes part of a broader visual narrative.

The photographs invite the viewer to slow down, observe details and enter a world shaped by light, composition and emotion.

KLG ÉLORÉ is intended for readers interested not only in fashion, but also in cinema, photography, art direction and contemporary European culture. It speaks to those who appreciate distinctive visual identities and publications that treat editorial imagery as a form of storytelling.

For an international audience, the magazine offers a meeting point between Parisian sophistication, modern glamour and cinematic art.

The Autumn 2026 edition also marks an important step in the development of the KLG ÉLORÉ brand. It introduces a broader editorial universe in which fashion can naturally coexist with interviews, visual essays, art and film culture.

This interdisciplinary direction gives the publication room to grow while preserving a strong and recognizable identity.

Dive into a world where high fashion meets cinematic art.

Click the link to read the exclusive KLG ÉLORÉ Fashion Editorial – Autumn 2026:

https://kristinagoztola.com/klg-elore

KLG ÉLORÉ – Fashion Editorial, Autumn 2026
Featuring Kristina Lorent
Parisian elegance. Cinematic vision. Contemporary glamour.

We are overjoyed: the Paris-based Zeal International Film Festival has showered us with a true rain of awards! From the bottom of our hearts, thank you to the jury for these wonderful recognitions. 

Gold Award – Best Inspirational Film

Silver Award – Best Director – Peter Korday

Silver Award – Best Actress – Kristina Lorent

Silver Award – Best Experimental Film

Bronze Award – Best Drama

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Nous sommes immensément heureux : le Festival International du Film Zeal, basé à Paris, nous a comblés d’une véritable pluie de récompenses ! Un immense merci du fond du cœur au jury pour ces magnifiques distinctions. 

Prix d’Or  – Best Inspirational Film

Prix d’Argent  – Best Director – Peter Korday

Prix d’Argent  – Best Actress – Kristina Lorent 

Prix d’Argent  – Best Experimental Film

Prix de Bronze  – Best Drama